This craftivist work was inspired by the article Canada’ Galleries Fall Short: The Not-So Great White North from Canadian Art Magazine last April. It looks at the Beaverbrook Art Galleries’ exhibition record since 2013 from the perspective of a binary gender breakdown.
The Masterworks – with a “Mistresswork” (?) by Emily Carr – opens this Saturday at 4pm. (Minus these “former works”). Happy that most of the works are back in the Beaverbrook’s collection. 🙂 http://www.beaverbrookartgallery.org