(Photo by Kelly Baker Photography)

Danielle Hogan is an interdisciplinary artist, writer, curator and practice-informed researcher with a Ph.D. from the University of New Brunswick.  She lives in Fredericton, Canada, which sits on traditional unceded territory of the Wolastoqey and Mi’kmaq peoples. Since the spring of 2018, she has been managing the Government of New Brunswick’s provincial art bank.

Founder of the intersectional feminist gallery called Gynocratic Art Gallery (2015), all of Danielle’s work is deeply inspired by networks of care, among and across communities of women –“women’s work”.  Danielle is inspired by all things textile and thrives on thrifting and knitting.

Danielle’s research embraces craftivism, DIY, women & gender studies broadly, in addition to other social justice issues.  Her doctoral dissertation investigates the negative effects of femaffect on textiles in art.  In 2016, she coined the term Femaffect – the word specifically addressing an affect which is feminized, either intentionally or unintentionally.  In her research, she studies the effects of femaffect on women, and other members of LGBTG2+ communities, as it relates to their use of textiles in visual art.

Danielle is a former board member of Open Space Art Society, arts writer for Monday Magazine and alumnus instructor at Vancouver Island School of Art. Presentations of her work include University Artists Association of Canada, Banff (’17), Canadian Society for Education Through Art, Victoria BC (’16); International Society for Education through Art’s World Congress, Melbourne (’15); and Concordia University, National Art Education Association (’13).

She has studied at New Brunswick College of Craft and Design (Diploma, ’95), Emily Carr University (BFA, 2000), Banff Center for the Arts (2002), and the University of Victoria (MFA, 2003) in addition to having attended residencies across Canada, and in Barcelona Spain.

November 22, 2017


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